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THE DEVELOPMENT OF MODERN MUSIC
PREFACE
It's not our intention to make an exhaustive study on any particular music
style, as there are loads through the internet,
but rather to show a list of the main styles which were important for
the development of modern music grown in and from the USA and to show how
they've influenced one another.
From African music to Blues and Jazz, from Cuban Habaneras to Funk and Soul
to Rap and New Jack Swing, from Mento to Ska to Reggae and Dancehall, from
Boogaloo to Salsa, from Electro to all the Electronic music we have nowadays,
we'll explore how these patterns marked the evolution of modern music into the
21st century.
I would name a few musicians that led changes in this evolution in music
but wont extend much in that sense, giving only a general idea of who or how
certain styles evolved in the next ones in the chain of music history.
CHAPTER ONE. From Blues to Jazz.
BLUES
In Africa music is in everyday life. Used to celebrate any event worth of
mention, it's used for worshipping nature and to celebrate life.
Their vision of life is quite different from that of western societies.
They don't make distinction between good and bad, as is only relative to
determined situations and every single atom belongs to everything else, so we
can much say that 'unity' is the word that can best define their way of life,
we are one.
With the upcoming of slavery from Africa to the US of A, the British took
them to work for them in the North American continent with no rights
whatsoever, mainly in the cotton fields, one of the few places where they
carried on singing the way they did in their continent, only this time in pain
and sorrow for the new situation they had, mainly in the southern states that
shared the Mississippi river banks.
Of course this music reflected what they wanted to do and they couldn't and
they didn't understand at the time why was it even happening, and, while
singing in short lines using 'call and response', the way they do as a whole in
their land, the Blues was born.
It started through singing, as they had to work all day long, but they've
brought soon they will find some instruments brought from Europe by their
owner, mainly used for March bands.
One of the first documented Blues to be written is W.C. Handy's 'Memphis
Blues'.
The Blues would from then on mark a pattern which would have a tremendous
effect on any other styles in the US, including rural american styles such as
country music (even Hank Williams learnt how to play music through an
afroamerican bluesman), folk, and much later in time, rock and roll.
Eventually bluesmen would migrate to the northern states, especially
Chicago and get expanded in the cities, creating a stronger and more powerful 'city blues' with figures as impressive as Muddy Waters or John Lee Hooker.
It's funny enough to see who the first beat is especially remarked, as it happens in a type of music which is to evolve years later, the funk.
It's funny enough to see who the first beat is especially remarked, as it happens in a type of music which is to evolve years later, the funk.
The Blues got comercialized and it wasn't just a slaver's thing anymore, as
more and more people turned into it, including many white listeners who went to
see them live anytime they could, probably the first time white and black
people tried to break the rules that keep them separate through music, the best
way to break barriers.
From the 1950's onwards, most Bluesmen who started their careers being
persecuted by the white authorities in the Southern States were impressed to
see young artists from the UK such as the Rolling Stones getting into the
States looking expressely for them to go gigging with them and putting them back into mainstream in the 50's and 60's.
The Blues is simple in structure, it uses the first, the fourth, and the
fifth chord progression, made it more beautiful through the use of minor
seventh chords, which is also widely used by its counterpart, Jazz music, which
was born, partly as a result of it, but which evolution took music to a new
dimension.
JAZZ
The terms 'cool' and 'hip' and 'cat' were created by jazz musicians, enough to say,
The terms 'cool' and 'hip' and 'cat' were created by jazz musicians, enough to say,
'New Orleans had a great tradition of celebration. Opera, military marching
bands, folk music, the blues, different types of church music, ragtime, echoes
of traditional African drumming, and all of the dance style that went with this
music could be heard and seen throughout the city. When all of these kinds of
music blended into one, jazz was born.'--Wynton Marsalis.
New Orleans was, as any other southern state, a slaver's trade market,
although the French traders in this state, allowed the afroamericans to get
together once a week, usually on Sundays, and play their music, which made New
Orleans one of the most important places along the US in spreading not only the
music brought to American land by the African slaves, but also a great deal of
their culture, eventually mixed with the ones they've found there.
Being ruled by the Spaniards, and the French, New Orleans always had a
unique multicultural touch that allowed afroamericans developed the music that
was about to end up being jazz through carnivals, the mardi grass and Congo
Square, music pillar of the State.
The etimology of the word 'jazz' has led to many misleadings through the
years, people associate it with sex, with the jazzmin fragance prostitutes used
etc. In any case, jazz in the most extended used one can make out of it, means
anything one wants it to.
In the musical sense, means is the last mix of styles as Winton Marsalis
quoted. But also means freedom in a total sense, is the first kind of music
that allowes total improvisation, being the main feature in it.
It was the first place to make use of the European music instruments mostly
used for military marching bands and classical music, which influence can be
seen in many of the earliest songs, for example, in Kid Ory's Creole Jazz Band
'that's a plenty' using Lizst passages through it, you can notice the freedom in playing it and in using whichever music you want
it to be included in it.
Jazz in this sense can, no doubt, be the freedom way of expression the
Blues was looking for but couldn't get in its own time, the redemtion from
slavery into.
We mustn't forget that it wasn't only African music New Orleans widespread
mainly through Carnival days, through different 'krewes', but also the
influence of the West Indians, which union lead to the so-called Black Indians
(In the Mardi Grass, Carnival day, most groups are named by their Red Indian
tribes mixed with all the Spanish and French touch in a highly more mixed
environment, impressive colours and spread of masks and outfits)
Early jazz was played by marching bands walking in the street with their
instruments, mostly horn sections (tuba, trumpet, trombone, sax, etc) and drummers,
and you can still see nowadays many funeral services with these marching bands
playing jazz for any event that is important.
One of the most influential figures was trumpetist and singer Louis
Armstrong 'Satchmo' who began playing the cornet at the age of 13. He developed the idea of musicians playing during breaks that expanded into musicians playing individual solos.
Jelly Roll Morton was the first jazz musician to take Jazz into written
music.
The basic rhythm of Jazz is Swing, swinging meaning being in sync with
other people and loving it. It first appeared during the Great Depression, and
by the mid 1930's, swing dancing become America's national dance through
orchestra leaders such as Duke Ellington, Count Basie, Paul Whiteman or Benny
Goodman. The vocalists accent the second
and four beats to create the rhythm, and it gives a sense of motion and make
you want to dance.
1940' brought a new style of jazz, bebop, with fast tempos, intricate
melodies and complex harmonies, it was considered to be jazz for intellectuals,
this style lead to modern jazz, the most important figures been Dizzy Gillespie
and Charlie Parker, 'bird'. Miles Davis is a perfect example of where it led.
In the 1950's, the combination of African, Spanish, and native cultures in
Latin America created a unique body of music and dance. Musicians from Cuba
began to play with jazz musicians in New York. By combining the musical
traditions of North, South, and Central America, Latin Jazz take place, and
eventually will lead to Boogaloo, another important pillar in the development
of Northamerican music that led into salsa music.
Ragtime is another style worth mentioned here, for without it boogie boogie
wouldn't have been possible, the best example is Scott Joplin.
Another particular figure historically important in jazz is Eubie Blake.
Born in 1887 he went through all of the phases from the early stages of
development, and explained that boogie woogie (which lead to rock and roll, but
also highly influenced Jamaicans into the development of Ska music), wasn't
originally called boogie woogie, but 'the 16' as it plays sixteen notes with
the left hand. Eubie's 'Charleston Rag' (a reversed broken-octave walking bass
line) is the first of the sort, or so he claims, as Eubie said he composed it
in 1899 he called the style the "walking bass", although it was reversed, but didn't have a way to write it at the time as he didn' t know how to write music. George Thomas' New Orleans Hop Scop Blues' was published in 1916.
Notice the different dates in which sudden variations within the music appear, as such variations will lead us to new styles that are in the chain of evolution of modern music from then on, as is the case of Boogaloo, in the 50's as a result of mixing Cuban music and latin american music with Jazz in New York City.
Notice the different dates in which sudden variations within the music appear, as such variations will lead us to new styles that are in the chain of evolution of modern music from then on, as is the case of Boogaloo, in the 50's as a result of mixing Cuban music and latin american music with Jazz in New York City.
Different combinations of Jazz will lead to the style which we'll discuss
in the next chapter, the boogie woogie and the eternal influence on each other
through listening to each other's radio stations on the triangle New
Orleans/Cuba/Jamaica, and its subsequent influence on Jamaican Ska by taking
only the counterpoint in the rhythm.
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